Last Train to Paris

Last Train to Paris
Studio album by Diddy – Dirty Money
Released December 14, 2010 (2010-12-14)
(see release history)
Recorded 2008–2010;
California
2nd Floor Studios (Hollywood)
Boom Boom Room (Burbank)
Los Angeles
Chalice Recording Studios
End of Era Studios
No Excuses
New York
Daddy's House
Record Plant Studios
Genre Eurodance,[1] hip hop,[2] Italo disco, tech house[3]
Length 64:34 (standard)
81:02 (deluxe)
Label Bad Boy, Interscope
Producer Arden Altino, Seven Aurelius, Swizz Beatz, D'Mile, Danja, DEEKAY, Diddy (also exec.), Polow da Don, Jerry Duplessis, Guy Gerber, Hollywood Hotsauce, Jay-Z, Rodney Jerkins (also exec.), The-Dream, Tricky Stewart, Alex da Kid, James Lackey, William Smith, Andrew van Meter, Harve Pierre (exec.), Mario Winans (also exec.)
Diddy – Dirty Money chronology
Press Play
(2006)		 Last Train to Paris
(2010)
Singles from Last Train to Paris
  1. "Angels"
    Released: November 3, 2009 (2009-11-03)
  2. "Hello Good Morning"
    Released: March 30, 2010 (2010-03-30)
  3. "Loving You No More"
    Released: September 21, 2010 (2010-09-21)
  4. "Coming Home"
    Released: November 21, 2010 (2010-11-21)
  5. "Your Love"
    Released: March 15, 2011 (2011-03-15)
  6. "Ass on the Floor"
    Released: April 17, 2011 (2011-04-17)[4]

Last Train to Paris is the fifth studio album by American rapper and producer Diddy, released on December 13, 2010 through Bad Boy Records (Interscope). The album follows Diddy's alter-ego as he travels from London to Paris to regain a lost love. It also introduces the world to Diddy's R&B/Hip-Hop collective, Dirty Money, a group consisting of Dawn Richards (formerly of Danity Kane) and singer-songwriter Kalenna Harper. Dirty Money perform on the album alongside a total of sixteen guest vocals which include appearances from Grace Jones and Lil Wayne, amongst others. To reflect the couture concept of the album, Last Train to Paris also features vocal segues from designers and editors of the fashion world including Vogue editor-in-chief Anna Wintour and Tommy Hilfiger.

With executive producers Rodney Jerkins, Diddy, Mario Winans and Herve Pierre, Last Train to Paris is predominately hip hop but incorporates elements of Eurodance, Italo disco and tech house. It marks Diddy's debut with Interscope Records after he moved his label Bad Boy from Atlantic Records in 2009. The album cover is a photograph at Centre Georges Pompidou (Paris, France) taken by Australian photographer Jarrod "Jrod" Kimber.[5] Last Train to Paris was generally well received by critics who praised the addition of Richard and Harper to help Diddy innovate a new sound and produce some unique records.

The release was preceded by four singles "Angels", "Hello Good Morning", "Loving You No More" and "Coming Home" which received mixed success on the Billboard Hot 100. The latter has become the most successful, peaking at number twelve on the U.S. Hot 100 and top-five or top-ten in much of Europe. During its opening week Last Train to Paris outperformed expectations, debuting eight places higher than predicted at number seven on the Billboard 200. It sold 101,000 copies, compared to the 60,000-70,000 copies that Billboard had predicted it would sell.

Contents

Conception

Diddy described the Last Train to Paris as an "electro-hip-hop-soul funk" album[6] which has been three years in the making.[7] Diddy says the sound of this album was influenced "by being in the dance music world and doing stuff with Felix da Housecat, Erick Morillo, Deep Dish, DJ Hell and being in Ibiza and DC10."[8] The arc will follow Diddy's character as he tours from London to Paris and finds the woman of his dreams - only to lose her, find her, lose her again and find her a final time.[9] The records were conceptualised from Diddy's comments to his producers. He told Alex da Kid (who produced "Coming Home") "I want a beat that makes me feel like a white man in a basement in Atlanta." Diddy said that "most of the producers he worked with, he's been friends with for a long time. The records came together by hanging out with them, taking them to parties and showing them movies".[10] In an interview with MTV News Diddy said "One of the things [Dirty Money] trying to represent is emotion... Not being afraid to show emotion on record. A lot of records out right now — no disrespect to them, but they're all surface. It's about what people have or a dance. All our records are gonna be about love, feelings and emotion. Last Train to Paris is a love story and the most vulnerable album I've ever been involved in. It's raw emotion — you get a feeling, a vibe."[11] Diddy also released an application for the iPhone that integrates his social networking site and Twitter feed.[12] A short film will also accompany the album.[9] Rap producer Bangladesh, also confirmed that he would be producing for the album.[13] According to New York magazine, the album was "assembled from 60 or so songs. The genesis of Last Train to Paris is full of odd stories involving our hero, ensconced in a darkened studio, barking batty ideas to his production team."[10]

Dirty Money

The Last Train to Paris is officially credited to Diddy-Dirty Money. The group was formed when Diddy asked former Danity Kane member, Dawn Richard, and singer-songwriter Kalenna Harper to perform alongside him on the album.[14][15] In an interview with All Hip-Hop, Diddy said that Dirty Money is "not about no drug money, illegal money, or anything negative". Instead he described it as "a sound, a movement, [and] a crew", something fresh and unique for his new album. He explained that "he wanted to tell a love story" but needed Dirty Money because "he couldn’t just tell the male’s point of view."[16] Further elaborating on the group's name, Diddy told Slant Magazine that its origins are dated back to 2005 when the group was at "a strip club in Jacksonville, Florida, during the Superbowl. People heard I was there, and all of a sudden so many people came in that I had to rush outside to my truck. I was sitting there with a bunch of money and I was like, 'Damn, this is some dirty money.' A light bulb went off that day."[17] Simon Vozick-Levinson from Entertainment Weekly described the group's role on the album as "fleshing out Last Train's skeletal storyline, playing jealous lovers, disappointed partners, and commanding divas to his conflicted playboy."[2] Jim Farber of New York Daily News said that Dirty Money "sing loudly, often and well -- a good thing", on the disk.[1] Henry Yanney of Soulculture said that Last Train to Paris was vocally-led Harper and Richard, who give the album "attitude and style". He said "the duo sing harmoniously and break into solos with much precision and pace, remaining in sync at all times with the abrasive club influenced beats on hand."[18] David Jeffries said that at times Dirty Money came off as "fine background singers or part of Diddy’s Fashion Week posse."[3] Matt Sayles disagreed, stating that on the record, "Diddy takes a backseat" which allowed "Kaleena and Dawn to do a lot of the heavy lifting (and breathing) on a wide range of songs."[19] Dirty Money was inspired by the 1980s bands Soul II Soul and Loose Ends though Diddy pointed out that he "wanted to flip things" by having two girls and one guy in the band. "Two bad divas, one for the left and one for the right side of me".[16] He told Amos Barshad from New York that "[The girls in Dirty Money] diamonds in the rough. These girls got a certain flavor and swagger, which is rare in this marketplace."[20]

Guest vocals

Guests included on the album were initially confirmed as Justin Timberlake, Chris Brown, Drake, Lil Wayne, Rick Ross, T.I., Swizz Beatz, Grace Jones, Bilal and Wiz Khalifa but the final track list also included Skylar Grey.[21][22] Richard told MTV News that the album had been in the making before she and Harper joined Diddy to form Dirty Money. She said "I know when Kalenna and I speak, we sometimes feel giddy because people like pioneers of the game said, 'You know what? We want to be on your album,'". Richard also defended the number of guests on the album stating that it was a "labor of love" which is why the group felt like the album needed a "stunning introduction" to the world.[7] Simon Vozick-Levinson of Entertainment Weekly said the role of the guests on the album "[mainly] assorted suave fellows... help fill out [Diddy]'s side of the conversation."[2] Vogue was first to reveal that editors and fashion designers have recorded vocal segues for the album. Among those set to feature on the album are Isaac Mizrahi, André Leon Talley, Zac Posen, Marc Jacobs, Anna Wintour (editor in chief at Vogue) and Tommy Hilfiger.[7] Talley said of his involved in the album, "[Diddy]'s like great creative thinkers in music who love fashion; swooner Marvin Gaye in his duets with Tammi Terrell comes to mind — what sense of elegance, what Motown glamour!"[23]

Promotion

On November 21, 2010 Diddy-Dirty Money appeared at the American Music Awards (2010) where they performed "Coming Home".[24] On December 5, 2010 Diddy released The Prelude - Last Train to Paris, a free mixtape of seven songs from the upcoming album exclusively through Vogue.com.[7] Later that same day, the group appeared on SNL live to promote the Last Train to Paris. They performed "Coming Home" and "Ass on the Floor" with Swizz Beatz.[25] A preluding mixtape, was released exclusively to Vogue magazine on December 3, 2010.[7] On December 13, 2010 the album was made available to stream online through Myspace.[26] On December 18, 2010 the group performed at the third annual WWE Tribute to the Troops concert.[27] On the chart dated December 25, 2010, "Somebody to Love Me" debuted on the U.S. Bubbling Under R&B/Hip-Hop Singles chart at number fifteen.[28] On January 4, 2010, Angie Martinez premiered a new remix of "Somebody to Love Me" on her official website. Titled "The MJB Naked Mix", the new version features Blige and Lil Wayne.[29][30] Lil Wayne's verse consists of sixteen bars, and a reference to 1994 Mary J. Blige song "My Life".[31] Additionally, the group will release another mixtape in time for Valentine's Day 2011. LoveLove Vs. HateLove features at least four songs from the Last Train to Paris recording sessions plus other songs.[32]

Coming Home tour

Rap-Up initially reported that Diddy-Dirty Money will be touring in support of the album. The Last Train to Paris world tour kicks off in March 2011.[33] However when the tour dates were revealed, the tour was actually renamed to The Coming Home Tour. The show kicks of on April 13, 2011 in Minneapolis, running for twenty-one dates before ending in St. Louis on May 15, 2011.[34] Lloyd and Tyga serve as the tour's opening acts.[35]

  • April 13 – Minneapolis, MN – Epic Center
  • April 14 – Chicago, IL – House of Blues
  • April 15 – Detroit, MI – Sound Board
  • April 16 – Providence, RI – Brown University
  • April 17 - Toronto, ON, CANADA - Kool Haus
  • April 21 – Boston, MA – House of Blues
  • April 22 – New York, NY – Hammerstein Ballroom
  • April 23 – Atlantic City, NJ – Showboat
  • April 24 – Norfolk, VA – Norva
  • April 26 – Atlanta, GA – Tabernacle
  • April 28 – Jacksonville, FL – Plush
  • April 29 – Melbourne, FL – Levelz
  • April 30 – St. Petersburg, FL – Jannus Live
  • May 1 – Orlando, FL – House of Blues
  • May 6 – San Francisco, CA – Warfied Theatre
  • May 7 – Los Angeles, CA – Club Nokia
  • May 8 – Anaheim, CA – The Grove
  • May 10 – Phoenix, AZ – Ovations Live
  • May 12 – Houston, TX – Warehouse
  • May 14 – Kansas City, MO – Midland Theatre
  • May 15 – St. Louis, MO – The Pageant

Singles

"Angels", featuring the late The Notorious B.I.G., was released as the first single, followed by promo single "Love Come Down" (which does not appear on the final tracklisting); both were released on November 3, 2009. Both tracks, which sample songs by Jay-Z, were not considered successful. The album's second single, "Hello Good Morning" features T.I, was released on March 30, 2010, and spawned several official remixes including versions featuring Rick Ross & Nicki Minaj, Tinchy Stryder & Tinie Tempah (UK Remix), Rick Ross & T.I. and a Grime mix with Skepta.[36] The single peaked at number thirteen on the US Hot R&B/Hip-Hop Songs chart, number twenty-seven on the US Billboard Hot 100 and number fifty in Canada.[37] "Loving You No More", featuring Drake, was released as the album's third single on September 21, 2010. It was not as successful as its predecessor, only managing to peak at thirty-five on Hot R&B/Hip Hop Songs chart and number ninety-one on the Hot 100.[37] Soon after, the Alex da Kid and Jay-Z produced "Coming Home" was announced as the lead single and overall fourth single, released on November 21, 2010. It features additional vocals from Kid's protegé Skylar Grey. It was the album's most successful single, peaking at number eleven on the Billboard Hot 100.

According to an official press release from Bad Boy Records, the Usher-assisted "Looking for Love" will be the next single.[38] Despite this confirmation, "Your Love" featuring Trey Songz (with Rick Ross including a verse in the remix) was sent to Rhythmic radio on March 15, 2011, confirming it as the fifth single from the album.[39] It has charted at #41 on the U.S. Billboard R&B chart.[40] The album's sixth single is "Ass on the Floor", featuring Swizz Beatz, released to the United Kingdom.[4] It debuted on the Bubbling Under Hot R&B/Hip-Hop Songs at number five,[41] before making its full Hot R&B/Hip-Hop Songs chart debut at number eighty-eight the following week.[42]

Music videos

A number of other official music videos have been filmed and released in promotion of the album as a whole. The first music video from Last Train to Paris was for first single "Angels". It premiered via MTV on September 21, 2009 and was directed by Diddy and Hype Williams.[43] Promo single "Love Come Down" also received a music video, premiering on November 12, 2009. The vintage club TV style video sees "Diddy and the group set the tone with an all-black motif, dressing in black and performing on a black stage — except for the occasional flash of Diddy's gold teeth. Toward the end, the trio change to all-white outfits before going back to black."[44] A separate music video was filmed for a remix for "Angels", featuring Rick Ross instead of The Notorious B.I.G., premiered on March 2, 2010 with Parris serving as the director. The video also features cameos by Busta Rhymes and DJ Khaled.[45] Williams also directed the music videos for the album's third single "Hello Good Morning", featuring T.I., which premiered in May 2010. Two alternate videos were filmed for the song's remixes; one featuring the remix that includes Rick Ross, and another for the remix that retains Rick Ross, excludes T.I. and includes Nicki Minaj. [46][47]

In the three weeks preceding the album's release, the group released three music videos. The video for the album's fourth single, "Coming Home", premiered on November 29, 2010, although Skylar Grey does not appear in the video.[48] Additionally, that same day, "Ass on the Floor", featuring Swizz Beatz (which was released as the album's sixth single months later) was released as a free download through Beatz' Monster Mondays initiative[49] and the video for the song was released on December 13, 2010.[50][51] The video was directed by Colin Tilley.[52] This was followed by a video for "Somebody to Love Me" on December 10, 2010,[53] which was actually shot over one year earlier, on September 29, 2009 by Nabil.[54] A video for the remix was booked on February 9, 2011 with Colin Tilley,[55] meanwhile a simple video for "I Hate That You Love Me" premiered on February 6, 2011.[56] On January 21, 2011, Diddy-Dirty Money filmed a music video for "Yesterday" with Chris Brown.[57] Tilley has also directed the video for an amended version "Your Love" which features Trey Songz and Rick Ross, which was released on March 30, 2011.[58]

At the end of November 2010, it was reported that a video for "Looking for Love", featuring Usher, will be shot, directed by Tilley. [59] The video premiered on June 3, 2011.

Reception

Commercial performance

In its opening week, the Last Train to Paris debuted on the U.S. Billboard 200 albums chart at number seven with 101,000 copies sold. The final figure sold was, in Billboard's own words, "rather larger than initial forecasts",[60] which put the album at around number fifteen with 60,000 - 70,000 copies.[61] Despite beating the expectations, the Last Train to Paris underperformed against Diddy's previous album, Press Play (2006), which debuted at number one with 170,000 copies sold.[60] Thus far, it is Diddy's lowest charting album on this chart[62] as well as Dawn Richard's lowest charting Billboard 200 album, the others being with the group Danity Kane.[63] The album also debuted on the U.S. Top Digital Albums chart at number seven[64] and the U.S. R&B/Hip-Hop Albums chart at number three.[65] It is also both Diddy's and Richard's lowest charting R&B/Hip-Hop album, thus far.[62][63] Last Train to Paris is Kalenna Harper's first appearance on any Billboard album chart.[66] As of November 6, 2011 (2011 -11-06), the album had sold around 310,000 copies in the United States.[67]

Critical reception

Professional ratings
Review scores
Source Rating
Allmusic [3]
The Boston Globe (positive)[19]
Entertainment Weekly (B+)[2]
The Guardian [68]
The Independent [69]
The New York Times (mixed)[70]
New York (positive)[71]
NME (8/10)[72]
USA Today [73]
The Village Voice (positive)[10]

Upon its release, Last Train to Paris received positive reviews from most music critics.[74] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 75, based on 13 reviews, which indicates "generally favorable reviews".[74] Simon Vozick-Levinson from Entertainment Weekly said "Last Train to Paris's glittery grooves feel authentically his own." He called Last Train a throwback to Diddy's 2007 hit single "Last Night". Its the "electro-laced torch duet blown out to full album length". He concluded by saying "the sheer number of cameos overwhelms the narrative conceit after a while... But who really cares? By that time, you just might be enjoying yourself way too much to notice."[2] Jim Farber of New York Daily News was impressed with Dirty Money's contribution to the album. He said "their input gives the CD a cohesion otherwise disrupted by Diddy's usual conga line of guest stars." He pointed out that the album takes on a Eurodance sound and although people might see it as "leaping on that bandwagon but as it turns out, the milieu proves a much better fit for his, er, talents, than any CD he has released so far." Farber concluded by saying "The Euro edge gives the music a leg up on the more conservative (read: American) dance music favored by the most mainstream club act of now -- those ever mushy Peas."[1] Andy Gill of The Independent noted Dirty Money's "emphasis on emotion over purely dance imperatives" and dubbed the album "easily the best work Diddy's been involved with in his entire career."[69] Caroline Sullivan of The Guardian gave it three out of five stars and stated, "The album is a mess, but a hook-heavy, likable one."[68]

David Jeffries from Allmusic noted Diddy's "unfiltered self" and "unique attitude", stating "This hook-filled, vibrant effort is that rare heartbreak album that can speak on a lovelorn level and then put a little strut back in your step."[3] Matt Sayles from The Boston Globe complimented its concept and praised the mixture of R&B vocals from Dirty Money and the guest features from the range of A-list friends, particularly Grace Jones stating that "There’s no telling why she turns up but she sounds right at home on the thumping club anthem. [Grace's] cameo is just one more pleasant surprise on an album full of them."[19] Brandon Soderberg from The Village Voice was also impressed with the artistic creation. He said "Once you hear Paris's mish-mash (Diddy’s word) of sounds, all that producer-genius experimentalism makes some sense. Every song is full of swift change-ups and jarring musical detours; Diddy often interrupts these jagged dance tracks to emote... It’s lots of fun, and though confessional in parts, it’s overall far from the self-serious, petulant complaint-raps of say, Drake or Kanye. Paris looks back to dance music as soulful catharsis and emotionalism, not the cold thump that’s taken over as of late."[10] Nitsuh Abebe from New York magazine said "Last Train to Paris is one of the first records that's really made me feel like [Diddy] sounds clever. [However he] makes what seems to me to be an aesthetic error, which is that if you want to put sleek, rainy-sounding synths everywhere ... [But] this album hits its mood right, though — gray skies, Eurorail, and drama — it's excellent stuff. The hectic format fades away, and the music actually becomes the hypnotic cruise it aspires to be."[71]

Track listing

No. Title Writer(s) Producer(s) Length
1. "Intro"   Guy Gerber Guy Gerber 1:33
2. "Ass on the Floor" (featuring Swizz Beatz) Combs, Kasseem Dean, Richards, Vick, Watson Swizz Beatz 4:04
3. "Yeah Yeah You Would" (featuring Grace Jones) Sean Combs, Nathaniel Hills, Dawn Richard, Kalenna Vick, Leroy Watson Danja 3:42
4. "I Hate That You Love Me"   Combs, LaShawn Daniels, Rodney Jerkins, Latoya Duggan, Victoria McCants, Leroy Watson Rodney "Darkchild" Jerkins 3:35
5. "Someone to Love Me"   Jerry Duplessis, Watson Jerry "Wonder" Duplessis, Arden "Keyz" Altino (co.) 3:08
6. "Hate You Now"   Combs, Hills, Richard, Vick Danja 4:10
7. "Your Love" (featuring Trey Songz) Indira Boodram, Kesia Hollins, Alja Jackson, Polow Da Don, Jazmyn Michel, Roberts Polow da Don 3:54
8. "Shades" (featuring Lil Wayne, Justin Timberlake, Bilal and James Fauntleroy) Dwayne Carter, Combs, Dernst II Emile, Fauntleroy, Timberlake D'Mile 5:57
9. "Angels" (featuring The Notorious B.I.G.) Deric Angelletie, Carlos Broady, Shawn Carter, Combs, Fauntleroy, Ron Lawrence, Darryl McDaniels, Nashiem Myrick, Christopher Wallace, Norman Whitefield, Winans Diddy, Mario Winans 5:11
10. "Strobe Lights" (featuring Lil Wayne) D. Carter, Combs, Tim McEwan, Richard, Marcus Vest, Vick 7 Aurelius, DEEKAY (co.) 3:33
11. "Looking for Love" (featuring Usher) Michael Jones, James Lackey, William Roberts J.Lack, Polow da Don (co.) 4:18
12. "I Know" (featuring Chris Brown, Wiz Khalifa and Se7en) Boodram, Christopher Brown, Hollins, Hollywood Hotsauce, Michel, Cameron Thomaz Polow Da Don, Hollywood Hotsauce 4:31
13. "Hello Good Morning" (featuring T.I.) Marcella Araica, Richard Butler, Clifford Harris, Hills Danja 4:27
14. "Yesterday" (featuring Chris Brown) Brown, Aubrey Graham, Crystal Johnson, Kevin McCall, Mario Winans Mario Winans 4:31
15. "Coming Home" (featuring Skylar Grey) S. Carter, Jermaine Cole, Alexander Grant, Skylar Grey Alex da Kid, Jay-Z (co.) 3:59
16. "Loving You No More" (featuring Drake) Sean Garrett, Graham, Richard, Michael Snoddy, Winans Sean Garrett, Team S. Dot, Miykal Snoddy 4:05
Total length:
 64:34
Sample credits

Versions

Personnel

Adapted from Allmusic.[3]

Main vocals
Guest Vocals
Technicians, musicians and management
  • The Monsters & The Strangerz - Audio Engineer
  • Brian "Fluff" Allison - Mixing Assistant
  • Arden "Keyz" Altino - Producer
  • Marcella "Ms. Lago" Araica - Engineer
  • Tunji Balogun - A&R
  • Justin Batad - Mixing Assistant
  • Smith Carlson - Assistant Engineer
  • Matt Champlain - Assistant Engineer
  • Capricorn Clark - A&R, Creative Director
  • Sean Combs - Producer
  • Daniel "Skid" Mitchell - A&R, Coordinator
  • Hughes "Yooggie" Felizor - A&R, Coordinator
  • LaShawn Daniels – Background Vocals
  • Danja - Instrumentation, Producer (tracks 2, 7, 13)
  • Tony Dawsey - Mastering
  • DEEKAY - Producer
  • Ben Defusco - Guitar
  • Dernst "D.Mile" Emile - Guitar, Keyboards, Producer (track 9)
  • Dirty Money - Vocals
  • Mike "Handz" Donaldson - Engineer
  • Jerry "Wonda" Duplessis - Composer, Producer (track 6)
  • James Fauntleroy - Background Vocals
  • Paul Foley - Engineer
  • Brian "Big Bass" Gardener - Mastering
  • Guy Gerber - Instrumentation, Producer (track 1)
  • Jesus Granica - Mixing Assistant
  • Zach Gurka - Engineer
  • DJ Leon Higgins - Cut
  • Nathaniel Hills - Composer
  • William Smith - Composer, Producer (track 1, 4, 5)
  • Shawn Holiday - A&R
  • Merrell Hollis - Make-Up
  • Hollywood Hotsauce - Producer (track 14)
  • Stephanie Hsu - Art Direction
  • Eric Hudson - Keyboards
  • James 'J Lack' Lackey - Producer (track 5)
  • Jay-Z - Producer (track 15)
  • Jaycen Joshua - Mixing
  • Rodney Jerkins - Associate Executive Producer, Musician, Producer (track 3)
  • David "J-Maul" Johnson - Keyboards
  • Stefan Johnson - Engineer
  • Tyrone Johnson - Keyboard Arrangements
  • Jamal "Polow Da Don" Jones - Producer
  • Sly Jordan - Vocal Producer
  • Nicholson Joseph Jr. - Assistant Engineer
  • Chris Kasych - Assistant Engineer, Mixing Assistant
  • Alex da Kid - Producer (track 15)
  • LaShawn "The Big Shiz" Daniels - Vocal Producer
  • Latoya Duggan – Background Vocals
  • Giancarlo Lino - Mixing Assistant
  • Rico Love - Vocals
  • Erik Madrid - Mixing Assistant
  • Henri-David "HD" Magloire - Mixing Assistant
  • Fabian Marasciullo - Mixing
  • Manny Marroquin - Mixing
  • Mylah Morales - Make-Up
  • Jared Newcomb - Assistant Engineer
  • Gwendolyn Niles - A&R
  • Chris "Tek" O'Ryan - Engineer
  • Harve Pierre - Executive Producer
  • Derek Roche -Stylist
  • Lucia Rodriguez - Make-Up
  • Justin Sampson - Assistant Engineer, Mixing Assistant
  • Edward Sanders - Assistant Engineer
  • Marni Senofonte - Stylist
  • 7 Aurelius - Producer (track 12)
  • Travis Shinn - Photography
  • Larry Sims - Hair Stylist
  • Curtis Smith - Hair Stylist
  • Brian Springer - Engineer
  • Steve 'Rock Star' Dickey - Engineer, Mixing
  • Jeremy Stevenson - Engineer, Mixing
  • Steve Styles - Bass
  • Swizz Beatz - Producer
  • Dalya Taman - Art Direction
  • Matt Testa - A&R
  • Matthew Testa - Engineer, Mixing
  • Sergio "Sergical" Tsai - Engineer, Mixing
  • Andrew Van Meter - Producer
  • Cassie Ventura – Background Vocals
  • Pat Viala - Engineer
  • Billy Villane - Mixing Assistant
  • Jeffrey "J-Dub" Walker - Keyboards
  • Miles Walker - Mixing
  • Nolan Wescott - Mixing Assistant
  • Kevin Wilson - Engineer, Mixing Assistant
  • Mario Winans - Executive Producer, Keyboards, Producer (track 16)

Charts

Chart (2010–11) Peak
position
French Albums Chart[80] 194
Swiss Albums Chart[80] 84
UK R&B Albums Chart[81] 5
U.S. Billboard 200[60] 7
U.S. Top R&B/Hip-Hop Albums[65] 3

Release history

Region Date Version (Format) Label Catalog
United States[82][83] December 14, 2010 Standard (CD/digital download), Deluxe (CD + DVD/digital download) Bad Boy Records 001438102
Canada[84][85] Universal Music
Germany[86] December 17, 2010 Standard (CD/digital download)[87]
Australia Standard (CD/digital download)[88]
France December 20, 2010 Standard and deluxe (CD/digital download)[89][90]
Japan January 19, 2010 Japan edition (CD/digital download)[75] UICS1212
United Kingdom January 24, 2011 Standard (CD/digital download)[91] Polydor Records 2740307
Brazil February 8, 2011 Standard (CD/digital download)[92] Universal Music
Spain June 11, 2011 Standard and deluxe (CD/digital download) Interscope Records DNA521A84
Indonesia Universal Music

References

  1. ^ a b c Jim Farber (2010-12-10). "Diddy-Dirty Money's 'Last Train to Paris' review: Hip-hop fits so-called artist to a T". New York: Nydailynews.com. http://www.nydailynews.com/entertainment/music/2010/12/10/2010-12-10_diddydirty_moneys_last_train_to_paris_review_hiphop_fits_socalled_artist_to_a_t.html#ixzz17iL01xdI. Retrieved 2010-12-13. 
  2. ^ a b c d e Vozick, Simon (2010-12-09). "Diddy-Dirty Money's 'Last Train to Paris': Read EW's review | The Music Mix | EW.com". Music-mix.ew.com. http://music-mix.ew.com/2010/12/09/diddy-dirty-money-last-train-review/. Retrieved 2010-12-13. 
  3. ^ a b c d e "Last Train To Paris - Diddy". AllMusic. http://www.allmusic.com/album/last-train-to-paris-r1819601. Retrieved 2010-12-07. 
  4. ^ a b "Diddy- Dirty Money Announce ‘Ass On The Floor’ as next single from Last Train to Paris album, set for April 18th UK Release". The Outside Organisation. 2011-03-08. http://outside-org.co.uk/2011/03/diddy-dirty-money-announce-%E2%80%98ass-on-the-floor%E2%80%99-as-next-single-from-last-train-to-paris-album-set-for-april-18th-uk-release/. Retrieved 2011-03-19. 
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  6. ^ Kreps, Daniel (2009-02-19). "Diddy Starts Hyping "Last Train To Paris" Seven Months Before LP’s Release". Rolling Stone. http://www.rollingstone.com/rockdaily/index.php/2009/02/19/diddy-starts-hyping-last-train-to-paris-seven-months-before-lps-release/. 
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